Comedy, Dissent, and the Far Right’s Campaign to Silence Satire
We’re still laughing. For now.
American politics has long been divided along emotional lines: Republicans evoke fear, while Democrats respond with humor. The right energizes followers with grievance-filled slogans like “Take Our Country Back,” “Stop the Steal.” The most impactful responses from the left often come through late-night monologues, sketches, and stand-up routines.
Ask yourself: how many hard-right comedians with mainstream audiences can you name? Talk radio features conservative stars, and primetime opinion shows can rage for hours. However, the current lineup of popular political comedy mostly includes people like Bee, Colbert, Kimmel, Meyers, Noah, Oliver, and Stewart.
That imbalance matters. Humor is a strength of democracy. It punctures pomposity and invites self-correction. Fear narrows; comedy opens. Today, the far right isn’t trying to out-joke comedy – it’s trying to silence it through economic, political, and legal pressure.
Silencing the jesters
On September 17th, Disney’s ABC suspended Jimmy Kimmel Live after Kimmel made a remark about the assassination of conservative activist Charlie Kirk and then joked about Donald Trump’s reaction to a question about how he was dealing with the loss. (“I think very good,” Trump said. “And by the way, right there, you see all the trucks. They just started construction of the new ballroom for the White House, which is something they’ve been trying to get, as you know, for about 150 years. And it’s going to be a beauty.”).
The action followed public warnings from FCC Commissioner Brendan Carr that affiliates airing “distorted” content could face penalties; Nexstar, which owns many ABC affiliates and is seeking FCC approval for a $6.2 billion acquisition of TEGNA, preemptively removed the show.
Donald Trump publicly celebrated the suspension and called on other networks to cancel more late-night shows, signaling retaliation instead of debate.
The network returned Kimmel to his show on September 23rd after public outrage and a rash of cancellations of Disney-owned streaming services. But Nexstar and Sinclair, owners of local ABC affiliates – including Connecticut’s WTNH – kept him off the air. That is, until September 26th, when they caved to the backlash and, more importantly, faced lower ratings without Jimmy.
Weeks earlier, in July, CBS canceled The Late Show with Stephen Colbert, officially citing financial reasons related to the Paramount–Skydance deal. Since Colbert had criticized that very merger, the move raised questions – fair or not – about whether corporate and political interests were aligned against a prominent satirist.
These examples reveal a larger pattern: dissent expressed through comedy is being labeled as distortion, punished as indecency, or viewed as a regulatory liability. Some critics argue that these recent cancellations are no different from ABC’s 2018 decision to cancel “Roseanne” after Roseanne Barr tweeted a racist insult about former Obama adviser Valerie Jarrett. However, that comparison is misleading. Barr’s case involved a private employer enforcing conduct standards after an openly racist outburst. The attacks on Colbert and Kimmel today are about political revenge and corporate caution in response to satire targeting those in power. One concerns accountability for hate speech; the other aims to intimidate dissent. Conflating them is a false equivalency that hides the real danger.
Lessons from the past
The recent threats by the FCC to revoke broadcast licenses are new, but individual comedians facing government pressure and legal threats are not. Lenny Bruce, a pioneering comic of the 1950s and 60s, was repeatedly arrested on obscenity charges for routines that challenged religious and political authorities. His prosecutions discouraged performers and sparked national debates about free speech. George Carlin, another legend of political comedy, was arrested in 1972 for performing his ‘Seven Dirty Words’ routine. The case, FCC v. Pacifica Foundation, reached the Supreme Court, which upheld the FCC’s authority to regulate ‘indecent’ broadcasts. Both Bruce and Carlin show that even in a democracy, government institutions have tried to punish comedians when their words challenged prevailing norms or threatened those in power.
Historians note that autocrats have always feared humor. In 1930s Nazi Germany, Propaganda Minister Joseph Goebbels reacted angrily to satire, considering it as a threat to morale and authority. He shut down the Berlin cabaret Die Katakombe, and its host Werner Finck was detained in a camp; later, Finck was banned by the Reichskulturkammer. Performers like Fritz Grünbaum and Paul O’Montis faced persecution or death.
Turkey under Recep Tayyip Erdoğan has repeatedly imprisoned satirists, from the 2016 prosecution of German comedian Jan Böhmermann to the 2025 arrest of staff at the satirical magazine LeMan. In North Korea, humor is tightly controlled by the state; in 2016, Kim Jong Un even banned sarcasm, fearing it was used to mock him. Remember the death threats he made after the release of “The Interview”? China fined comedian Li Haoshi’s company $2 million in 2023 for a joke about the military, and censors foreign sitcoms that cross political red lines. In Russia, Vladimir Putin’s government canceled the satirical puppet show Kukly in 2002, called dissenting comedians ‘foreign agents,’ and has jailed or exiled performers who mocked the war in Ukraine.
They understood what modern cognitive science confirms: emotion influences people more than facts. Comedy, however, has always been a remedy for fear. No wonder authoritarian regimes want to eliminate the jokes. Laughter exposes their fears and threatens their hold on power.
Why this matters
Comedy is not trivial. It’s one of democracy’s pressure valves – a way for ordinary citizens to laugh at the powerful and prevent fear from swallowing the public square.
Lyndon Johnson, of all people – the powerful, driven, bullying, visionary president – understood the importance of humor and free speech. Though the Smothers Brothers (popular back in the day) performed a controversial satire of him and his Vietnam War policy on their TV show, LBJ said:
“It is part of the price of leadership of this great and free nation to be the target of clever satirists. You have given the gift of laughter to our people. May we never grow so somber or self-important that we fail to appreciate the humor in our lives.”
Contrast this with Trump’s vindictiveness – gloating over Kimmel’s removal and publicly urging other networks to cancel shows. The difference isn’t about taste in comedy; it’s about whether satire is recognized as part of the democratic bargain.
If the far right succeeds in silencing satire – through lawsuits, regulatory threats, and corporate caution – we’ll lose more than just late-night shows. We’ll lose one of the oldest, most humane defenses against authoritarian politics.
Democracy cannot be sustained by fear and force. It requires dissent – even when dissent comes as a joke. The far right understands this. That’s why it’s trying to kill the laughter. The question is whether we will let it.
